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The buzz for Nelly Furtado's Loose began before the music was even recorded, with the announcement that legendary hip-hop knob-twirler Timbaland (Missy Elliott, Jay-Z, Justin Timberlake) would act as co-producer. The question on fans' minds: what would it sound like when a hip-hop kingpin collaborated with an artist who culls inspiration not just from pop music, but also her own Portuguese roots?
As it turns out, Loose incorporates a number of different styles along its journey, but is--surprisingly--primarily divided between '80s-influenced electronica and latin-infused pop. This disc is very different from Furtado's previous CDs, a fact immediately evident from track one, the new wave-affected "Afraid." A strong opener, the song is the beginning of a 1-2-3 punch of uptempo, infectious dance floor beats. The second cut, "Maneater," also proves to be incredibly catchy, but the verses and keyboard sound too much like they were plucked from electroclash artist Peaches' tree, and originality is lost. The perfect summer pop song follows, the massive hit "Promiscuous," which features clever interplay between Furtado and Timbaland on their sassy duet. From that point, Loose oscillates between the Miami-affected sounds of R&B, Latino pop, and reggaeton ("Showtime," "Te Busque," and "No Hay Igual" respectively) and the aforementioned '80s vibe ("Glow," "Do It"). Fans will hear Furtado at her vocal best on "Say It Right" and "In God’s Hands"--two of the most lyrically compelling tracks on the disc. --Denise Sheppard
Product Description
In preparation for her new album, Loose, NELLY FURTADO tried out collaborations with a who's who of producers, and she tried to create a music more of the body than the mind. A prime example of the latter is first single "PROMISCUOUS," a duet with Loose producer TIMBALAND, known far and wide for his groundbreaking work with, among others, MISSY ELLIOTT, JUSTIN TIMBERLAKE and AALIYAH.
It stands to reason that gold and multiplatinum certifications (for 2003's Folklore and 2000's Whoa, Nelly!, respectively), a pair of Top 10 singles ("I'm Like a Bird" and "Turn Off the Light"), and a Grammy Award (for Best Female Pop Vocal Performance), to name just a few accomplishments, would afford a certain level of confidence. But nothing has inspired Furtado to throw caution to the wind more than motherhood. "Motherhood makes you fearless," she says. "The album is very youthful-sounding," Furtado continues, "and I think that's partly due to the presence of this two-year-old in my life. I was with her all day every day and then I'd go to the studio at night, and I think that translated into a playful energy I feel onstage but that hasn't really been heard on my records."
Starting with her longtime production team of Track & Field, she also knew she wanted to check out a variety of producers. "Working with new producers," she hazards, "is like trying on new clothes - you never know what you look good in until you try it on. And sometimes they will see something in you that neither you nor anyone else could see." So she traveled with her daughter from Toronto to London to work with NELLEE HOOPER; to Los Angeles to work with LESTER MENDEZ (who produced, "Te Busque," her moving duet with JUANES) and RICK NOWELS (co-writer and producer of the gorgeous ballad "In God's Hands"); and to Miami to work with PHARRELL WILLIAMS and SCOTT STORCH and finally, TIMBALAND.
Indeed, the raw, lighting-in-a-bottle spontaneity of the collaborative process is at the heart of Loose. "This record shows who I am in a jam-type environment, where I really feel the excitement of the creativity flowing," Furtado reveals. "It's who I am at my most artistic. I live for that, and I'm very grateful to be able to share it."
Kelly Clarkson, My December track listing
Product Description
No Description Available
Media Type: CD
Artist: CLARKSON,KELLY
Title: MY DECEMBER
Street Release Date: 06/26/2007
Genre: ROCK/POP
Editorial Reviews
Judging by the themes of anger and betrayal that dominate Kelly Clarkson's third disc, My December, perhaps 'Jagged Little Idol' would have been a more telling title. According to interviews, the massively successful artist wanted more creative control with her music going forward; as a result, unlike her previous CDs, Clarkson contributes as a songwriter on every track. The final product is not nearly as catchy as Breakaway, but is far more introspective and honest. My December's overall sound brings a harder musical style than fans might expect, with acerbic lyrics to match; the disc's first single "Never Again"--a dark rock song slamming her ex-boyfriend--is certainly a tip-off. The compelling chorus of "Hole" finds Clarkson singing "There's a hole/inside of me/it's so damn cold/slowly killing me" over a melody that is far more Tool than top-40. "Haunted" and "Judas" are wrought-over tracks that veer into Evanescence territory, while the wonderfully sparse "Maybe" is a highlight within which Clarkson's pleading voice is perfectly showcased. My December's final listed track, "Irvine" (prior to the hidden bluesy acoustic ballad "Chivas") sounds far more Cat Power-meets-Corinne Bailey Rae than Clarkson, but it is certainly one of the most captivating songs on the disc, and serves as yet another reminder of just how versatile her voice is. Fans of her previous radio-friendly releases may well be divided on her new direction, but it appears to be the path Clarkson is likely to continue to travel. --Denise Sheppard